I have the honor of being appointed to the Board of Directors for IMAGE journal – a quarterly literary journal the seeks the intersection of faith and the arts. Quite a gift to be part of this amazing and deeply thoughtful journal. While housed at Seattle Pacific, IMAGE is an independent literary journal that has published work from writers and artists such as Anne Lamott, Wim Wenders, Luci Shaw, Kathleen Norris, Annie Dillard and Ron Hansen to mention a few. Greg Wolfe, the editor of IMAGE and chair of the MFA program at SPU, asked me to write a letter to the Board as a means of stating why I am excited about being part of this community of faithful artists – here is some of that letter:
I am grateful to be asked to participate in the work of IMAGE and so look forward to finding continued ways of supporting this important journal and vital community of artists who contribute and are supported by its work. The intersection of faith and the arts is something I take very seriously both personally and professionally. I suppose I see a similar thread in my story to that which Pablo Neruda evokes in the opening stanza of ‘Poetry’:
And it was at that age … Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.
The limits of what has been deemed ‘faith’ by many theologians of the Church has been a source of concern and at times deep pain for me. Where friends of mine in seminary would find solace in systemic and doctrinal theology, I would turn to Flannery O’Conner, Cormac McCarthy, WB Yeats, Jim Crace, and other literature to find what George Eliot called “the Mystery beneath the processes” of our faith. Prior to coming to teach in the School of Theology at SPU in 2005, I was a Lecturer in Practical Theology and Ethics at the University of Glasgow, Scotland and served as Director of the Centre for Literature, Theology and the Arts. This was a place to find the nexus between my theological and pastoral training at Fuller Seminary and my PhD work was in Victorian Literature and Theology (I wrote my dissertation on George Eliot’s early translation work of Feuerbach’s The Essence of Christianity and Strauss’ The Life of Jesus and its influence on her early fiction – Scenes of Clerical Life, Adam Bede and Mill on the Floss). I continue to serve on the editorial board of the Oxford University Press journal Literature and Theology and am an active member of the Society of Religion, Literature and Culture which holds its bi-annual meetings in Oxford.
Perhaps more than any verse, Jesus’ command to the gathered disciples at the institution of the Eucharist in Luke 22: 19 frames why I am excited and humbled by the work of IMAGE. As Jesus presents himself in the elements of poured wine and broken bread he proclaims the injunction to “do this in remembrance of me” which has been emblazoned on the front of alters, etched into glassworks and pottery, and sewn into liturgical cloth for generations. For some, this statement has become a license to merely preserve, fence in and ultimately fortress a way of life by taking Jesus’ command as a call to arms against the winds of change. During my six years in Scotland while in the Centre for Literature, Theology and the Arts at the University of Glasgow, I also served as Associate Minister at the Glasgow Cathedral. As ‘high liturgical Presbyterians’ (yes, there are some) the serving of the Eucharist included the traditional ‘fencing of the table’ and view from the ruling Elders that the Eucharist must be presented in a ‘decent and orderly’ fashion. To evoke theologian Paul Tillich, form had taken such a priority over content and meaning to the point of almost silencing the luminescent reality of the Host in our midst. Is this what Jesus had in mind? Digging deeper into the passage, we find that St. Luke records Jesus’ words as “τοῦτο ποιεῖτε εἰς ἐμὴν ἀνάμνησιν” in the Greek and chooses “ποιεῖτε” or “poieite” as the action to be taken in remembrance of Christ’s life and ministry. Poieite is a potent call – the call of poiesis is our cognate for poetry in English and not a term that is something to be fenced in. “Make poetry in remembrance of me” could be argued as Jesus’ command as he deconstructed the elements before the disciples whose feet had only moments ago been washed clean preparing them to walk anew into the world.
It is this call to ‘make poetry in remembrance of me’ that remains a clarion voice for my work as a theologian committed to the Arts and something I have seen through the pages of IMAGE. I believe that IMAGE and the community which is supported and enlivened by its work is a voice and presence that is needed now more than ever as we continue to live in a time that seems to want only pragmatics (how we live) at the expense of beauty (why life is worth living)
Blessings and peace and continue to ‘make poetry in remembrance of Christ’